{"id":2136,"date":"2022-06-30T13:37:45","date_gmt":"2022-06-30T11:37:45","guid":{"rendered":"https:\/\/editorialmondigromax.com\/?p=2136"},"modified":"2022-10-27T02:35:10","modified_gmt":"2022-10-27T00:35:10","slug":"raquel-garcia-tomas-i-agusti-charles-preseleccionats-als-premis-fedora-2022","status":"publish","type":"post","link":"https:\/\/editorialmondigromax.com\/ca\/raquel-garcia-tomas-i-agusti-charles-preseleccionats-als-premis-fedora-2022\/","title":{"rendered":">Raquel Garc\u00eda-Tom\u00e1s i Agust\u00ed Charles preseleccionats als Premis FEDORA 2022"},"content":{"rendered":"<p>Foto extreta del documental em\u00e8s per TV3 &#8220;Rere el mirall de la m\u00fasica&#8221;.<\/p>\n<p>L&#8217;\u00f2pera \u201c<strong>Alexina B.<\/strong>\u201d de <strong>Raquel Garc\u00eda-Tom\u00e1s<\/strong>, llibret d&#8217;<strong>Ir\u00e8ne Gayraud<\/strong> i direcci\u00f3 d&#8217;escena de <strong>Marta Pazos<\/strong>, estrena prevista per al 18 de mar\u00e7 de 2023 al Gran Teatre del Liceu de Barcelona, \u200b\u200bforma part de l&#8217;exclusiva llista de <a href=\"https:\/\/www.fedora-platform.com\/discover\/news\/fedora-prizes-biennale-shortlist-2022\/329\" target=\"_blank\" rel=\"noopener\">candidats als Premis FEDORA 2022<\/a>. Una bona not\u00edcia doncs Raquel Garc\u00eda-Tom\u00e1s ja va ser finalista als Premis FEDORA 2021. Estarem atents.<\/p>\n<p>El Jurat tamb\u00e9 ha escollit candidat el nou projecte d&#8217;\u00f2pera de gran format d&#8217;<strong>Agust\u00ed Charles<\/strong> i <strong>Marc Rosich<\/strong>. T\u00edtol provisional,&#8221;<strong>L&#8217;\u00faltima nit del m\u00f3n&#8221;<\/strong>, i opta al FEDORA sota l&#8217;auspici de la Fundaci\u00f3 Staatstheater Augsburg (Alemanya). Darrere les bambolines, sempre, \u00d2pera de Butxaca i Nova Creaci\u00f3, \u00d2BNC.<\/p>\n<p>Els nominats als Premis FEDORA es donaran a con\u00e8ixer la propera tardor despr\u00e9s de la reuni\u00f3 del Jurat i els guanyadors s&#8217;anunciaran a Par\u00eds el febrer de 2023, coincidint amb el des\u00e8 aniversari de la creaci\u00f3 de FEDORA, la plataforma europea que recolza la innovaci\u00f3 al camp de l&#8217;\u00f2pera i el ballet.<\/p>\n<p>Des del 2013, els Premis FEDORA encoratgen el talent de les noves generacions perqu\u00e8 portin l&#8217;inesperat a l&#8217;escenari. Els quatre premis establerts (\u00d2pera, Dansa, Educaci\u00f3 i Digital) donen suport a projectes art\u00edstics d&#8217;avantguarda que promoguin la col\u00b7laboraci\u00f3 internacional, la creativitat, la integraci\u00f3 social i el di\u00e0leg intercultural, aix\u00ed com la innovaci\u00f3 digital dins i fora de l&#8217;escenari.<\/p>\n<p><strong><a href=\"https:\/\/www.fedora-platform.com\/\" target=\"_blank\" rel=\"noopener\">FEDORA<\/a><\/strong><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.fedora-platform.com\/images\/logo%20-%20black.svg\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Foto extreta del documental em\u00e8s per TV3 &#8220;Rere el mirall de la m\u00fasica&#8221;. L&#8217;\u00f2pera \u201cAlexina B.\u201d de Raquel Garc\u00eda-Tom\u00e1s, llibret d&#8217;Ir\u00e8ne Gayraud i direcci\u00f3 d&#8217;escena de Marta Pazos, estrena prevista per al 18 de mar\u00e7 de 2023 al Gran Teatre del Liceu de Barcelona, \u200b\u200bforma part de l&#8217;exclusiva llista de candidats als Premis FEDORA 2022. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1970,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[147],"tags":[],"class_list":["post-2136","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-premis"],"_links":{"self":[{"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/posts\/2136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/comments?post=2136"}],"version-history":[{"count":0,"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/posts\/2136\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/media\/1970"}],"wp:attachment":[{"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/media?parent=2136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/categories?post=2136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/tags?post=2136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}