{"id":4752,"date":"2024-09-18T14:07:32","date_gmt":"2024-09-18T12:07:32","guid":{"rendered":"https:\/\/editorialmondigromax.com\/estreno-de-final-frontier-de-agusti-charles-en-augsburg-junto-con-obras-de-raquel-garcia-tomas\/"},"modified":"2025-02-21T23:15:10","modified_gmt":"2025-02-21T22:15:10","slug":"estreno-de-final-frontier-de-agusti-charles-en-augsburg-junto-con-obras-de-raquel-garcia-tomas","status":"publish","type":"post","link":"https:\/\/editorialmondigromax.com\/ca\/estreno-de-final-frontier-de-agusti-charles-en-augsburg-junto-con-obras-de-raquel-garcia-tomas\/","title":{"rendered":"> Estrena de \u201cFinal Frontier\u201d d\u2019Agust\u00ed Charles a Augsburg juntament amb obres de Raquel Garc\u00eda-Tom\u00e1s"},"content":{"rendered":"

En el marc del cicle Espais Sonors – Zukunft(s)musik I, Moderiertes Konzert mit Neuer Musik <\/strong>(M\u00fasica del futur, Concert moderat amb m\u00fasica de nova creaci\u00f3), es presentaran a Augsburg obres dels compositors catalans Agust\u00ed Charles<\/strong><\/a> i Raquel Garc\u00eda-Tom\u00e1s<\/strong><\/a>.<\/p>\n

Agust\u00ed Charles<\/strong> (1960): Trio de corda<\/strong>
\nRaquel Garc\u00eda-Tom\u00e1s<\/strong> (1984): Look Sweetie I Found my Old Projector! (\u2026 and a bunch of movies)<\/a><\/strong>
\nEnsemble (septet), electr\u00f2nica pre-gravada i v\u00eddeo
\nAgust\u00ed Charles<\/strong>: Final Frontier.<\/a><\/strong> Per a conjunt de cambra
\nEstrena mundial
\nRaquel Garc\u00eda-Tom\u00e1s<\/strong>: Tiempo suspendido – Estudio Sonomec\u00e1nico n\u00ba 1<\/a><\/strong>
\nEnsemble (septet), electr\u00f2nica pre-gravada i v\u00eddeo<\/p>\n

Direcci\u00f3 musical: Sebastiaan van Yperen
\n<\/strong>Moderaci\u00f3: Christine Faist
\n<\/strong>Filharm\u00f2nica d\u2019Augsburg<\/strong><\/p>\n

El concert tindr\u00e0 lloc el 10 de novembre de 2024, a les 18 h, al brechtb\u00fchne im Gaswerk – Augsburg<\/strong><\/a><\/p>\n

Agust\u00ed Charles<\/strong>, conegut per les seves composicions d\u2019\u00f2pera de cambra, com La Cuzzoni, esperpent d\u2019una veu<\/a>,<\/strong> estrenada al Staatstheater de Darmstadt (Alemanya), o Andr\u00f2meda encadenada,<\/a> <\/strong>que tamb\u00e9 es va poder veure a Darmstadt, treballa actualment en una nova \u00f2pera, The Last Night of the World<\/em>, que s\u2019estrenar\u00e0 al gener a l\u2019\u00d4pera d\u2019Augsburg. A m\u00e9s, la m\u00fasica de cambra no teatral constitueix un focus principal en la seva obra. El compositor catal\u00e0 ha creat especialment per a la primera edici\u00f3 de Zukunft(s)musik la composici\u00f3 “Final Frontier” per a conjunt de cambra, que s\u2019estrenar\u00e0 a Augsburg.<\/p>\n

Tamb\u00e9 Raquel Garc\u00eda-Tom\u00e1s<\/strong> centra la seva atenci\u00f3 en obres esc\u00e8niques i m\u00fasica de cambra. En les seves composicions de m\u00fasica de cambra, experimenta amb sons electr\u00f2nics i instal\u00b7lacions de v\u00eddeo.<\/p>\n","protected":false},"excerpt":{"rendered":"

En el marc del cicle Espais Sonors – Zukunft(s)musik I, Moderiertes Konzert mit Neuer Musik (M\u00fasica del futur, Concert moderat amb m\u00fasica de nova creaci\u00f3), es presentaran a Augsburg obres dels compositors catalans Agust\u00ed Charles i Raquel Garc\u00eda-Tom\u00e1s. Agust\u00ed Charles (1960): Trio de corda Raquel Garc\u00eda-Tom\u00e1s (1984): Look Sweetie I Found my Old Projector! (\u2026 […]<\/p>\n","protected":false},"author":1,"featured_media":4793,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[143],"tags":[],"class_list":["post-4752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estrenes"],"_links":{"self":[{"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/posts\/4752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/comments?post=4752"}],"version-history":[{"count":0,"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/posts\/4752\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/media\/4793"}],"wp:attachment":[{"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/media?parent=4752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/categories?post=4752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/editorialmondigromax.com\/ca\/wp-json\/wp\/v2\/tags?post=4752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}